The House of Dior

Happy November! 2017 pretty much marks the year of the most gallery visitations for me so far. The only thing I was bummed about was not being able to see Studio Ghibli in Japan this year – my second time missing out on ordering tickets. Maybe the next time I’ll get lucky!

My gallery adventures continue with The House of Dior exhibition which is just about to wrap up in 3 days. This is the last major exhibition held at the NGV for the year.

I didn’t know much about Christian Dior prior to this exhibition however I’m a big follower of Yves Saint Laurent and I eventually learned that YSL worked for Dior at the age of 21. This was his first major gig in the fashion industry and Dior had trained him up to become the first creative director of his brand (other than Dior himself). Their legacy lives on to this day and what I love the most is that the YSL and Dior stores in Chadstone sit right across each other, I get the fuzziest feelings everytime I walk past it.

The House of Dior showcases 70 years of designs by all creative directors including YSL.

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Yayoi Kusama: Life is the Heart of a Rainbow

In my last post featuring a video of my trip, you’ll notice some of the footage was taken at the Yayoi Kusama exhibition at the National Gallery of Singapore.

I sign up to a lot of art and design news and thankfully one source told me some of Kusama’s pieces have landed in Singapore. Just like the KAWS exhibition, the trip was mildly planned around this given that we flew with Singapore Airlines, Mom suggested to stop by Singapore for a couple of days. We do love visiting Singapore every now and then especially since their airport is so accommodating and the city is usually our main stopover to Jakarta.

I first heard about Yayoi Kusama when I saw a Louis Vuitton shopfront a couple of years ago. She collaborated with LV and this is what it looked like (courtesy of Louis Vuitton and Yayoi Kusama): yellow-dots red-dots black-dotsgeorge-clooneyrei

Yep that’s George Clooney for the cover of W magazine and yep, that’s Yayoi in her trademark polka dot outfit. It is considered as one of the most successful art collaborations with a fashion house. The dots however aren’t seen as completely a playful pattern. Kusama says these dots are a representation of her childhood hallucinations where she constantly experienced reoccurring visions of repeating patterns during the events of World War II. Her work can be seen as a means of therapy for Kusama and even for viewers – a therapy of confronting a fear by representing it on a grand scale.

She spent lots of time hand painting polka dots or “infinite nets” as she refers them to in her life. They applied them onto canvasses, sculptures and then onto everything else that was a part of her life, even her body. Kusama’s family had their own plant nursery and she drew pumpkins and flowers with dots. She is literally the queen of polka dots.
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I’m a fan of polka dots (not to the extremities of Kusama) so I was eventually lured into Louis Vuitton that day. I was fascinated by their shop design and their new range of leather-goods. It was like walking into an art installation, learning more about who Yayoi Kusama was.

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The Yayoi cake in the cafeteria after the exhibition!

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My current read is “Yayoi Kusama: Inventing the Singular” by lecturer, Midori Yamamura. A great read if you want to dig deep into Kusama’s life events, many of which affected the art she’s created to date. 

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The Season of Van Gogh

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It is literally the season of Van Gogh.

Louis Vuitton  released an art range of leather goods in collaboration with artist, Jeff Koons, to celebrate humanity through the works of Da Vinci, Rubens, Degas and Van Gogh.  In Melbourne, the Van Gogh and the Seasons  exhibition is still buzzing as part of the NGV Winter Masterpieces collection. The artwork “Wheat Field with Cypresses” is featured in both Louis Vuitton and in this exhibition. It’s also one of my favorite  works by Van Gogh so I stared at it for as long as I could before the crowds got in the way to get a photo of the painting.

 

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I went to this exhibition twice, both on a Sunday afternoon just past lunchtime. The first time was during the first weekend of the exhibition aaaand that was a bad idea because it was too packed! I went again a couple of weeks later to which I kept telling myself “it wouldn’t be packed, it wouldn’t be packed”.

I was wrong.

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However, this crowd was a lot less than the first one.  Bear in mind that you might have to queue up twice if you happen to visit anytime soon – one for purchasing tickets and the other to get into the exhibition. I waited about half an hour to get in only because I pre-purchased my tickets.

Don’t scroll further if you don’t want exhibition spoilers.
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You can tell from the very beginning Van Gogh was always inspired by looking at other artists’ artworks, which is also often the case for me. The Seasons exhibition starts off with a room full of prints he kept all his life as his go-to “bible” for inspiration. His  biggest collection were Japanese prints dating back to the Edo period.

The only way to get to know Van Gogh is by reading his letters that were exchanged with his best friend and brother, Theo. Having prior knowledge of  Van Gogh’s backstory was helpful and when seeing his works you begin to make connections to his life as told in his letters.

A massive introvert, mentally unstable individual living a dramatic life (much of it is due to his non existent interpersonal skills), I still think Van Gogh is a great guy even if he still was around today.

A right-brainer by day and occasional blogger by night, you've landed on a place where I live and breathe all things art, design, culture and fashion. You'll find me documenting my life in the creative field, endless travels with friends and family and a bit of food.

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